Как получить работу в кино. Заключение

5 сентября 2014г. был последний съемочный день фильма «Милый Ханс, дорогой Петр» производства Россия-Германия-Украина-Великобритания.

Действия последнего эпизода фильма происходят в военном 1942-м году. По сценарию, главный герой возвращается в тот же город, где работал на стекольном заводе до начала войны. У него там остались друзья, любимая женщина и воспоминания. Свою довоенную подругу он находит в парикмахерской, между ними происходит диалог и некие события, являющиеся финальной точкой всего сюжета.

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Здание соответствующего старого типа с большими полукруглыми окнами искали долго. Сначала выбор пал на младший корпус первой школы г.Никополя. Это самая старая школа, ей больше 100 лет, находится рядом с домом бабульки — шифровщицы. Местность знакомая, удобная. Но директор школы наотрез отказалась сдавать в аренду помещения. Даже обращение в городской отдел образования не помогло.

— Даже самому Спилбергу школу в аренду не дам, — заявила Альбина Васильевна.

У меня иссякли последние доводы. Может, нужно письмо от «Мосфильма»? До начала съемок оставалось еще почти 9 месяцев. Сказала ей про письмо.

В прошлом учебном году группа таких же «киношников» пришла ремонтировать компьютерную сеть, и успешно вынесла 20 компьютеров. До сих пор не нашли, — пояснила директриса свой отказ.

Прозвучало убедительно. Ушла тогда ни с чем. Решили искать дальше.

Летом поиски помещения возобновили. Не буду вдаваться в подробности как искали и где, в результате выбрали локацию, обозначенную в сценарии как «парикмахерская». Ею оказался — сельскохозяйственное рыболовецко-промышленное ООО «Никополь».

Большим плюсом служила закрытая территория двора, где разместилась вся наша техника, и само здание с высокими потолками и нужного размера окнами. Помещение напоминало склад хлама, пока за него не взялась бригада художников и декораторов. Пол отремонтировали, стены покрасили, окна вымыли, хлам вынесли, потолки побелили. Установили соответствующую мебель, специально привезенную из кино-склада Киева, по периметру прикрепили дополнительные лампы дневного света.

парикмахерская 2Вся парикмахерская атрибутика была подлинной. Надеюсь, вы увидите в фильме ножницы, «плойку» на плите, опасную бритву для бритья, «вафельные» полотенца, одеколон с пульверизатором и «состаренные» зеркала.

парикмахерская 5IMG_20140905_095950Пену для бритья Ханса специально создавали по рецептам того времени. То, что вы увидите в кадре — это не современная мужская пенка для бритья из баллончика. Это наструганное на крупной терке хозяйственное мыло, размоченное горячей водой и взбитое венчиком! Такая пенка плотная и не изменяется в размерах (оседает, высыхает, теряет форму) от начала до конца одного дубля. А дублей как всегда было много.

парикмахерская 3И как всегда, движение транспорта перекрывалось, объявлялась строжайшая тишина, где любое передвижение по площадке запрещалось. Хоть запись шла внутри помещения, внешние звуки жестко контролировались. Мы следили за действиями в кадре по выносным мониторам.

парикмахерская 4Казалось бы, простая сцена: он пришел, она сделала вид, что не узнала человека в немецкой форме, намазала пеной лицо и начала водить по коже опасной бритвой.

Но зная уже характер режиссера, я понимала, что эта сцена важна. Не зря она финальная. Он не отпустит актеров, пока не добьется от них соответствующего поведения в кадре: прожитой жизни, разделенной на два фронта любви, тайного смысла во взгляде с болью изжитых отношений. Александр Анатольевич никогда не говорит актерам прямо ЧТО и КАК надо играть. Он рассказывает историю. Что чувствует она, о чем думает в это время он. Актеры должны погрузится в свои образы и прожить этот эпизод. Именно прожить, а не сыграть. Поэтому так долго, так трепетно и досконально мы снимали каждую сцену. Каждую(!) в этом фильме.

Оператор крутился вокруг действующих лиц и так, и эдак. Снимали разными планами, меняли ракурсы, свет, отражение, блики. Все как обычно. Крутили, снимали, меняли, переставляли, снова снимали. Чего-то Александру Анатольевичу не хватало. Он всегда оставляет актерам поле для самореализации. Есть история, ты в ней живешь.

Все российские и украинские актеры за такое отношение к материалу очень любят и уважают Миндадзе. Для немцев, привыкших к точным движениям и прописанным правилам, вначале проекта такой подход к съемкам стал настоящей мукой. Якоб Дилль в первом своем интервью часто говорил о том, что наш подход к созданию кино, и их — немецкий — кардинально отличаются. У них сценарист прописывает на бумаге поворот головы вплоть до градусов, а режиссер на площадке следит за тем, чтобы написанное неукоснительно выполнялось.

Александр Анатольевич Миндадзе предлагает совершенно другую атмосферу. И в этом финальном эпизоде чувства как раз были намного важнее любых пропечатанных в сценарии букв.

Но Анне (Россия), играющей роль цирюльника никак не удавалось слиться с Якобом (Германия) вунисон. Они оба закрывали глаза, потом встречались взглядом, крупно снимали поочередно каждого. Перемещали парикмахерское кресло, переодевали и перечесывали Анну. Много всяких манипуляций делали, но кадр не строился. Не было чего-то волшебного и душещипательного.

Якоб нервничал, изнемогал. Бесконечное намазывание лица мыльной пеной неприятно стянуло кожу. Мимика менялась, кожа чесалась. Сцена переснималась вновь и вновь.

Ближе к 21.00, когда играть не было сил, когда актеры вжились в ситуацию встречи после стольких лет расставания, стали настоящими и захлестнувшие их эмоции удовлетворили режиссера, тогда прозвучала финальная фраза «Стоп. Снято»

Дирекция организовала праздничную вечеринку, называемую у киношников «шапка» и вся группа гуляла до утра. Звучали поздравительные и благодарственные речи из уст режиссера, продюсера и директора картины. Труд каждого был высоко оценен, вручены памятные призы и подарки.

Я слушала трогательные речи, пытаясь запомнить этот вечер в мелочах, записать в памяти каждый эпизод.

Как в кино.

Как было там, на площадке.

Я запоминала детали: шум ветра, негромкую речь Миндадзе. Каждое слово, каждый человек имел в тот вечер для меня огромное значение.

Я слушала, давила подступавшие слезы, пыталась улыбаться как все, но понимала, что это последний вечер в киношной компании. Завтра мы разъедимся и возможно никогда больше не увидимся. А я — человек провинциальный и попавший в кино только благодаря своему упорству — глубже всех ощущала пропасть, которая всех нас разделит уже завтра….

Да, мы все обещали друг другу, что обязательно встретимся, что будем держать хвост пистолетом, что кино в нашей стране еще будет сниматься и трудолюбивые люди с устойчивой психикой будут нужны всегда :-) Мы обещали, обнимались, менялись телефонами, но умом понимали, что ничего подобного больше не будет. Не будет такого режиссера, этого города, подобного лета, именно этого актерского состава, трудностей перевода, смешных шуток и жесткого графика. Не будет невыполнимых заданий, жутких недосыпов и только нам понятного юмора. Уже завтра мы вернемся в другую жизнь. В обычную бытовую жизнь, каждый в свою…

DSC04662Это как смена в лагере. Когда едешь домой, понимая, что каникулы еще продолжаются, но что-то важное осталось именно здесь, в этих стенах. И солнце тебя больше не радует. И обещания встретиться следующим летом — тоже.

Мой паром на Каменку отчалил от пристани Никополь точно по расписанию. Я махала рукой ребятам на берегу, любезно предложившим отвезти меня с чемоданами к парому, и плакала. Слезы ручьем текли под большими солнцезащитными очками и мне было до лампочки, что думают окружающие, другие пассажиры этого плавучего транспорта.

Шестого сентября я уехала домой.

Фильм снят.

Моя заветная детская мечта осуществилась.

P.S. — Эта история случилась до войны, — рассказал на пресс-релизе режиссер. — По сюжету четверо немецких режиссеров приезжают в СССР работать на советском заводе, где у них завязываются взаимоотношения с нашими специалистами. И поскольку мы знаем, чем это все закончится, какая коллизия их ждет, то мы смотрим на эти отношения под совсем другим углом. Герои не могут знать, что с ними случится, но между ними уже существует некая лихорадка отношений. Внутри них уже рванул снаряд еще не начавшейся войны. При этом в самом фильме ни одной батальной сцены нет. Картина вообще не о войне. Скорее о людях, о человеческих взаимоотношениях.

Использованы фото из личного архива и продюсерской компании «Студия Пассажир»

В марте 2016 фильм «Милый Ханс, дорогой Петр» выйдет на большие экраны. Следите за анонсами.

И добро пожаловать в кино!

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  44. In between me and my husband we’ve owned far more MP3 players previously mentioned the years than I can rely, which includes Sansas, iRivers, iPods (classic & touch), the Ibiza Rhapsody, etc. But, the closing few many years I’ve solved down in the direction of one particular line of gamers. Why? Simply because I was happy in the direction of obtain how well-designed and exciting in direction of hire the underappreciated (and extensively mocked) Zunes are.

  45. If you might be however on the fence: get your most loved earphones, brain down to a Perfect Obtain and inquire to plug them into a Zune then an iPod and look at which one particular appears superior to yourself, and which interface creates by yourself smile further. Then you will know which is specifically for oneself.

  46. This is getting a little bit more subjective, however I considerably want the Zune Industry. The interface is colourful, has more aptitude, and some awesome functions together with ‘Mixview’ that make it possible for by yourself instantly look at comparable albums, audio, or other customers equivalent in direction of what you might be listening in the direction of. Clicking on a single of all those will heart on that item, and yet another preset of «neighbors» will come into impression, allowing for yourself in the direction of navigate around exploring by way of similar artists, music, or consumers. Talking of customers, the Zune «Social» is far too superior pleasurable, letting you identify other individuals with shared tastes and starting to be good friends with them. You then can hear in direction of a playlist constructed dependent on an amalgamation of what all your buddies are listening in the direction of, which is too exciting. Those apprehensive with privateness will be relieved in direction of know oneself can avoid the public against watching your personal listening practices if your self so make a decision.

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  48. Concerning me and my partner we’ve owned much more MP3 gamers about the years than I can rely, including Sansas, iRivers, iPods (classic & touch), the Ibiza Rhapsody, and so on. But, the remaining handful of years I’ve solved down in direction of a person line of gamers. Why? Since I was happy toward locate how well-designed and exciting toward hire the underappreciated (and greatly mocked) Zunes are.

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  50. Zune and iPod: Highest americans examine the Zune toward the Touch, yet the moment seeing how slim and shockingly low and light it is, I check out it towards be a very distinctive hybrid that brings together traits of both equally the Touch and the Nano. It’s exceptionally vibrant and gorgeous OLED show is a bit smaller than the contact screen, still the player itself feels fairly a little bit scaled-down and lighter. It weighs regarding 2/3 as much, and is significantly more compact in just width and peak, although remaining just a hair thicker.

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  54. If you’re continue to on the fence: seize your beloved earphones, intellect down in the direction of a Excellent Buy and request in direction of plug them into a Zune then an iPod and check out which one particular sounds much better toward by yourself, and which interface produces you smile added. Then you are going to realize which is directly for oneself.

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  56. If you are nevertheless on the fence: get your favored earphones, thoughts down toward a Most straightforward Get and request toward plug them into a Zune then an iPod and see which one seems far better in direction of by yourself, and which interface makes your self smile extra. Then you can realize which is directly for your self.

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  59. The refreshing Zune browser is astonishingly beneficial, still not as optimistic as the iPod’s. It performs effectively, but is not as prompt as Safari, and incorporates a clunkier interface. If your self often method upon applying the web browser which is not an issue, still if you happen to be coming up with in direction of read through the web alot against your PMP then the iPod’s more substantial exhibit and greater browser may be necessary.

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  71. In between me and my husband we’ve owned further MP3 players in excess of the a long time than I can count, including Sansas, iRivers, iPods (classic & touch), the Ibiza Rhapsody, etc. But, the final couple many years I’ve solved down in the direction of one line of gamers. Why? For the reason that I was content to obtain how well-designed and entertaining toward employ the underappreciated (and extensively mocked) Zunes are.

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  74. If you happen to be even now on the fence: grab your favored earphones, head down in direction of a Least complicated Purchase and ask toward plug them into a Zune then an iPod and perspective which a person seems improved in direction of oneself, and which interface makes on your own smile far more. Then you may know which is instantly for your self.

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  76. Zune and iPod: Greatest Those people evaluate the Zune towards the Contact, still just after looking at how slender and astonishingly very little and gentle it is, I attempt it in the direction of be a quite special hybrid that combines qualities of both the Touch and the Nano. It’s amazingly colorful and beautiful OLED screen is marginally smaller than the touch screen, but the participant alone feels Really a little bit more compact and lighter. It weighs regarding 2/3 as a great deal, and is drastically smaller inside of width and height, despite the fact that becoming precisely a hair thicker.

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  80. I’ll products this examine in the direction of 2 models of persons: present-day Zune property owners who are looking at an update, and us residents trying towards make a decision among a Zune and an iPod. (There are other gamers relevance considering out there, which includes the Sony Walkman X, nonetheless I be expecting this delivers yourself adequate info towards create an conscious conclusion of the Zune vs gamers other than the iPod line as very well.)

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  82. Zune and iPod: Highest All those compare the Zune toward the Contact, but at the time observing how skinny and shockingly reduced and light it is, I check out it toward be a fairly exceptional hybrid that brings together traits of both equally the Touch and the Nano. It can be very vibrant and stunning OLED screen is slightly smaller sized than the contact screen, still the participant itself feels Very a bit lesser and lighter. It weighs over 2/3 as considerably, and is noticeably smaller in just width and peak, whilst getting simply just a hair thicker.

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  111. I’ll gear this review toward Two versions of americans: present Zune householders who are contemplating an update, and Those striving toward decide between a Zune and an iPod. (There are other players relevance thinking of out there, like the Sony Walkman X, yet I assume this offers oneself adequate information and facts in direction of make an aware final decision of the Zune vs players other than the iPod line as perfectly.)

  112. If you’re still on the fence: grab your favorite earphones, head down to a Best Buy and ask to plug them into a Zune then an iPod and see which one sounds better to you, and which interface makes you smile more. Then you’ll know which is right for you.

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  115. Apple now has Rhapsody as an app, which is a great start, but it is currently hampered by the inability to store locally on your iPod, and has a dismal 64kbps bit rate. If this changes, then it will somewhat negate this advantage for the Zune, but the 10 songs per month will still be a big plus in Zune Pass’ favor.

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  127. If you’re still on the fence: grab your favorite earphones, head down to a Best Buy and ask to plug them into a Zune then an iPod and see which one sounds better to you, and which interface makes you smile more. Then you’ll know which is right for you.

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  141. This is turning out to be a bit further subjective, however I much like the Zune Marketplace. The interface is colourful, incorporates even more aptitude, and some cool characteristics such as ‘Mixview’ that make it possible for you quickly see comparable albums, music, or other end users comparable to what you are listening to. Clicking upon just one of those will heart upon that merchandise, and a different set of «neighbors» will appear into feeling, letting yourself toward navigate in the vicinity of exploring by identical artists, audio, or users. Talking of people, the Zune «Social» is as well fantastic enjoyable, permitting oneself come across some others with shared tastes and turning into good friends with them. You then can listen in direction of a playlist built centered upon an amalgamation of what all your pals are listening toward, which is also enjoyable. Individuals fearful with privateness will be relieved in the direction of comprehend you can stop the public versus seeing your unique listening behavior if you so acquire.

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  148. Hands down, Apple’s app store wins by a mile. It’s a huge selection of all sorts of apps vs a rather sad selection of a handful for Zune. Microsoft has plans, especially in the realm of games, but I’m not sure I’d want to bet on the future if this aspect is important to you. The iPod is a much better choice in that case.

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